• Colonna Sonora Padrino Download
• Godfather Theme Violin Mp3 Download
• Download Colonna Sonora Padrino De

Download Colonna Sonora Torrent at TorrentFunk. We have 19 Colonna Sonora Other torrents for you!

&Released1974Length38: 28chronology(1972)The Godfather Part II(1974)(1990)The Godfather Part II is the from the, released in 1974 by, and 1991 on. The original score was composed by and conducted by, who also provided source music for the film. Rota expands upon two of the three main themes from the first film: 'The Godfather Waltz' and 'Michael's Theme', while 'The Love Theme' from the first film makes a brief appearance during a flashback sequence ('Remember Vito Andolini'). There are several new themes, including one for , and two for young : 'The Immigrant Theme' and 'The ', introduced in 'A New Carpet'.Professional ratingsReview scoresSourceRatingFilmtracks.

Running time177 minutesCountryUnited StatesLanguageEnglishBudget$5–6.5 millionBox office$245–286 millionThe Godfather is a 1972 American directed by and produced by, based on 's best-selling. It stars and as the leaders of a fictional New York crime family. The story, spanning 1945 to 1955, chronicles the under the patriarch (Brando), focusing on the transformation of (Pacino) from reluctant family outsider to ruthless.obtained the rights to the novel for the price of $80,000, before it gained popularity. Studio executives had trouble finding a director; their first few candidates turned down the position before Coppola signed on to direct the film.

They and Coppola disagreed over who would play several characters, in particular, Vito and Michael. Filming took place primarily on location around New York and in, and was completed ahead of schedule. The musical score was principally composed by, with additional pieces by.The film was the, and was for a time the, with a gross of around $245-286 million at the box office. The film received universal acclaim from critics and audiences, with praise going towards the performances of its cast, particularly from Brando and Pacino, the directing, screenplay, cinematography, editing, score, and portrayal of the mafia. The film revitalized Brando's career, which was in decline during the 1960s before going on to star in hits such as, and, and launched the successful careers of Coppola, Pacino, and the rest of the cast. At the, it won the for, (Brando) and (for Puzo and Coppola).

Its seven other Oscar nominations included Pacino, , and Coppola for.Since its release, The Godfather is widely regarded as one of the and one of the most influential, especially in the genre. It was selected for preservation in the U.S. Of the in 1990, being deemed 'culturally, historically, or aesthetically significant' and is ranked the (behind ) by the. It was followed by sequels (1974) and (1990). Contents.Plot In 1945, at his daughter 's wedding to, Vito Corleone hears requests in his role as head of a New York crime family. His youngest son, who was a during, introduces his girlfriend, to his family at the reception. Johnny Fontane, a famous singer and Vito's, seeks Vito's help in securing a movie role; Vito dispatches his, to Los Angeles to persuade studio head Jack Woltz to give Johnny the part.

Woltz refuses until he wakes up in bed with the severed head of his prized.Shortly before Christmas, drug baron Virgil 'The Turk' Sollozzo, backed by the Tattaglia crime family, asks Vito for investment in his narcotics business and protection through his political connections. Wary of involvement in a dangerous new trade that risks alienating political insiders, Vito declines. Suspicious, Vito sends his enforcer, to spy on them. Brasi is during his first meeting with Bruno Tattaglia and Sollozzo. Later Sollozzo has Vito gunned down in the street, then kidnaps Hagen. With Corleone first-born in command, Sollozzo pressures Hagen to persuade Sonny to accept Sollozzo's deal, then releases him.

The family receives fish wrapped in Brasi's bullet-proof vest, indicating that Luca 'sleeps with the fishes.' Vito survives, and at the hospital Michael thwarts another attempt on his father. Michael's jaw is broken by Captain Marc McCluskey, Sollozzo's unofficial bodyguard. Sonny retaliates with a on Bruno Tattaglia.

Michael plots to murder Sollozzo and McCluskey; feigning a desire to settle the dispute, Michael meets them in a restaurant, where after retrieving a planted handgun, he kills both men.Despite a clampdown by the authorities, the erupt in open warfare, and Vito fears for his sons' safety. Michael takes refuge in Sicily and is sheltered by in Las Vegas. Sonny attacks Carlo on the street for abusing Connie, and threatens to kill him if it happens again. When it does, Sonny speeds to their home, but is ambushed at a highway toll booth and riddled with submachine gun fire.

While in Sicily, Michael meets and marries Apollonia Vitelli, but a car bomb intended for him takes her life.Devastated by Sonny's death and realizing that the Tattaglias are controlled by the now-dominant Don, Vito attempts to end the feud. He assures the Five Families that he will withdraw his opposition to their heroin business and forgo avenging Sonny's murder. His safety guaranteed, Michael returns home to enter the family business and marry Kay, promising her that the business will be legitimate within five years. Kay gives birth to two children by the early 1950s, and with his father at the end of his career and his brother too weak, Michael takes the family reins.

He insists Hagen relocate to Las Vegas and relinquish his role to Vito because Tom is not a 'wartime consigliere'; Vito agrees Tom should 'have no part in what will happen' in the coming battles with rival families. Michael travels to Las Vegas to buy out Greene's stake in the family's casinos. Michael is dismayed to see that Fredo has fallen under Greene's sway.In 1955, Vito suffers a fatal. At the funeral, a Corleone, asks Michael to meet with Don Barzini, signaling the betrayal that Vito had forewarned. The meeting is set for the same day as the baptism of Connie's baby.

While Michael stands at the altar as the child's godfather, Corleone assassins murder the other New York dons and Moe Greene. Tessio is executed for his treachery and Michael extracts Carlo's confession to his complicity in setting up Sonny's murder for Barzini.

A Corleone capo, garrotes Carlo with a wire. Connie accuses Michael of the murder, telling Kay that Michael ordered all the killings. Kay is relieved when Michael finally denies it, but when the capos arrive, they address her husband as Don Corleone and she watches them pay reverence to Michael as the newly installed don as they close the door on her.Cast. (pictured in 2011) was selected as director.

Paramount wanted the picture to be directed by an to make the film 'ethnic to the core'.Evans wanted the picture to be directed by an to make the film 'ethnic to the core'. Paramount's latest mafia based movie, had done very poorly at the box office; Evans believed that the reason for its failure was its almost complete lack of cast members or creative personnel of Italian descent (the director and star were both Jewish). Was Paramount's first choice to direct the film. Leone turned down the option, in order to work on his own gangster film.

Was then approached but he also declined the offer because he was not interested in the mafia. In addition, and were all offered the position and declined. Evans' chief assistant Peter Bart suggested, as a director of Italian ancestry who would work for a low sum and budget after the poor reception of his latest film. Coppola initially turned down the job because he found Puzo's novel sleazy and sensationalist, describing it as 'pretty cheap stuff'. At the time Coppola's studio, owed over $400,000 to for budget overruns with the film and when coupled with his poor financial standing, along with advice from friends and family, Coppola reversed his initial decision and took the job. Coppola was officially announced as director of the film on September 28, 1970. Paramount had offered twelve other directors the job with The Godfather before Coppola agreed.

Coppola agreed to receive $125,000 and six percent of the gross rentals. Coppola and Paramount Before The Godfather was in production, Paramount had been going through an unsuccessful period. In addition to the failure of The Brotherhood, the studio had usurped their budget for their recent films:,. The budget for the film was originally $2.5 million but as the book grew in popularity Coppola argued for and ultimately received a larger budget. Paramount executives wanted the movie to be set in then modern-day and shot in the studio backlot in order to cut down on costs.

Coppola objected and wanted to set the movie in the same time period as its eponymous novel, the 1940s and 1950s; Coppola's reasons included: Michael Corleone's Marine Corps stint, the emergence of corporate America, and America in the years after World War II. The novel was becoming increasingly successful and so Coppola's wishes were eventually agreed to. The studio heads subsequently let Coppola film on location in New York City and Sicily.Gulf & Western executive was frustrated with Coppola over the number of screen tests he had performed without finding a person to play the various roles. Production quickly fell behind because of Coppola's indecisiveness and conflicts with Paramount, which led to costs being around $40,000 per day. With the rising costs, Paramount had then Vice President Jack Ballard keep a close eye on production costs.

While filming, Coppola stated that he felt he could be fired at any point as he knew Paramount executives were not happy with many of the decisions he had made. Coppola was aware that Evans had asked to take over directing the film, because he feared that Coppola was too inexperienced to cope with the increased size of the production. Coppola was also convinced that the film editor, and the assistant director, Steve Kestner, were conspiring to get him fired. Avakian complained to Evans that he could not edit the scenes correctly because Coppola was not shooting enough footage. Evans however was satisfied with the footage being sent to the west coast, and authorized Coppola to fire them both. Coppola later explained: 'Like the godfather, I fired people as a preemptory strike. The people who were angling the most to have me fired, I had fired.'

Brando threatened to quit if Coppola was fired.Paramount wanted The Godfather to appeal to a wide audience and threatened Coppola with a 'violence coach' to make the film more exciting. Coppola added a few more violent scenes to keep the studio happy. The scene in which Connie smashes after finding out Carlo has been cheating was added for this reason. Writing On April 14, 1970, it was revealed that Puzo was hired by Paramount for $100,000, along with a percentage of the film's profits, to work on the screenplay for the film.

Download TWILIGHT by FUTURE OF FORESTRY free. #1 rated music site. 6.5 Million songs. Get lyrics ♫ music videos for your iPhone®. Twilight is Future of Forestry's debut album released on Credential Recordings. It was released. Twilight (Future of Forestry album). From Wikipedia, the free encyclopedia. Jump to navigation Jump to search. Future of forestry instruments. Future of Forestry combine the bright hope of their Southern California upbringing with the melancholy, sweeping Euro-rock that influences them. With acclaimed. Download Future Of Forestry - Twilight (2007) - mp3, flac. Klaxons - Myths of the Near Future (2007) free download download. Future Of Forestry.

Working from the book, Coppola wanted to have the themes of culture, character, power, and family at the forefront of the film, whereas Puzo wanted to retain aspects from his novel and his initial draft of 150 pages was finished on August 10, 1970. After Coppola was hired as director, both Puzo and Coppola worked on the screenplay, but separately. Puzo worked on his draft in Los Angeles, while Coppola wrote his version in. Coppola created a book where he tore pages out of Puzo's book and pasted them into his book. There, he made notes about each of the book's fifty scenes, which related to major themes prevalent in the scene, whether the scene should be included in the film, along with ideas and concepts that could be used when filming to make the film true to Italian culture. The two remained in contact while they wrote their respective screenplays and made decisions on what to include and what to remove for the final version. A second draft was completed on March 1, 1971, and was 173 pages long.

The final screenplay was finished on March 29, 1971, wound up being 163 pages long, 40 pages over what Paramount had asked for. When filming, Coppola referred to the notebook he had created over the final draft of the screenplay. Screenwriter did uncredited work on the script, particularly on the Pacino-Brando garden scene. Despite finishing the third draft, some scenes in the film were still not written yet and were written during production.The wanted all uses of the words 'mafia' and ' to be removed from the script, in addition to feeling that the film emphasized stereotypes about Italian-Americans.

The league also requested that all the money earned from the premiere be donated to the league's fund to build a new hospital. Coppola claimed that Puzo's screenplay only contained two instances of the word 'mafia' being used, while 'Cosa Nostra' was not used at all. Those two uses were removed and replaced with other terms, which Coppola felt did not change the story at all. The league eventually gave its support for the script.

(pictured above in ) was chosen to portray.Puzo was first to show interest in having portray Don Vito Corleone by sending a letter to Brando in which he stated Brando was the 'only actor who can play the Godfather.' Despite Puzo's wishes, the executives at Paramount were against having Brando, partly due to the poor performance of his recent films and also his short temper. Coppola favored Brando or for the role, but Olivier's agent refused the role claiming Olivier was sick; however, Olivier went on to star in later that year.

The studio mainly pushed for to receive the part. Other considerations were, and.After months of debate between Coppola and Paramount over Brando, the two finalists for the role were Borgnine and Brando, the latter of whom Paramount president required to perform a screen test. Coppola did not want to offend Brando and stated that he needed to test equipment in order to set up the screen test at Brando's residence. For make-up, Brando stuck cotton balls in his cheeks, put shoe polish in his hair to darken it, and rolled his collar. Coppola placed Brando's audition tape in the middle of the videos of the audition tapes as the Paramount executives watched them.

The executives were impressed with Brando's efforts and allowed Coppola to cast Brando for the role if Brando accepted a lower salary and put up a bond to ensure he would not cause any delays in production. Brando received a net participation deal which earnt him $1.6 million.From the start of production, Coppola wanted to play the part of Tom Hagen. After screen testing several other actors, Coppola eventually got his wish and Duvall was awarded the part of Tom Hagen., a then famed singer in nightclubs, was notified of the character Johnny Fontane by a friend who read the eponymous novel and felt Martino represented the character of Johnny Fontane. Martino then contacted producer, who gave him the part. However, Martino was stripped of the part after Coppola became director and then awarded the role to Italian singer. Damone eventually dropped the role because he did not want to play an anti-Italian American character, in addition to being paid too little. According to Martino, after being stripped of the role, he went to his godfather and crime boss Russ Bufalino who then orchestrated the publication of various news articles that talked of how Coppola was unaware of Ruddy giving Martino the part; that, when coupled with pressure from the mafia who felt Martino deserved the role, led Damone to quit as Fontane.

Either way, the part of Johnny Fontane ended up with Martino. (pictured in 1976) was chosen to play.originally was given the part of Paulie Gatto. A spot in opened up after quit the project in favor of The Godfather, which led De Niro to audition for the role and leave The Godfather after receiving the part. After De Niro quit, was given the role of Gatto.

Coppola cast for the role of Kay Adams due to her reputation for being. Was given the part of Fredo Corleone after Coppola saw him perform in an Off Broadway production.

Was given the role of Carlo Rizzi after he was asked to perform a screen test in which he acted out the fight between Rizzi and Connie.Nearing the start of filming on March 29, had yet to be cast. Paramount executives wanted a popular actor, either. Producer Robert Evans wanted to receive the role in part due to his recent success in. Pacino was Coppola's favorite for the role as he could picture him roaming the Sicilian countryside, and wanted an unknown actor who looked like an Italian-American.

However, Paramount executives found Pacino to be too short to play Michael., and also auditioned. Caan was well received by the Paramount executives and was given the part of Michael initially, while the role of was awarded to. Coppola still pushed for Pacino to play Michael after the fact and Evans eventually conceded, allowing Pacino to have the role of Michael as long as Caan played Sonny. Evans preferred Caan over Caridi because Caan was seven inches shorter than Caridi, which was much closer to Pacino's height.

Despite agreeing to play Michael Corleone, Pacino was contracted to star in MGM's The Gang That Couldn't Shoot Straight, but the two studios agreed on a settlement and Pacino was signed by Paramount three weeks before shooting began.Coppola gave several roles in the film to family members. He gave his sister, the role of Connie Corleone. His daughter played Michael Francis Rizzi, Connie's and Carlo's newborn son., his father, appeared in the film as an extra playing a piano during a scene.

Coppola's wife, mother, and two sons all appeared as extras in the picture. Several smaller roles, like, were cast after the filming had started. Filming Before the filming began, the cast received a two-week period for rehearsal, which included a dinner where each actor and actress had to assume character for its duration. Filming was scheduled to begin on March 29, 1971, with the scene between Michael Corleone and Kay Adams as they leave in New York City after shopping for Christmas gifts. The weather on March 23 predicted snow flurries, which caused Ruddy to move the filming date forward; however snow never materialized and a snow machine was used. Principal filming in New York continued until July 2, 1971. Coppola asked for a three-week break before heading overseas to film in Sicily.

Following the crew's departure for Sicily, Paramount announced that the release date would be moved to spring 1972. The Don Barzini assassination scene was filmed on the steps of the building on in.Cinematographer initially turned down the opportunity to film The Godfather because the production seemed 'chaotic' to him. After Willis later accepted the offer, he and Coppola agreed to not use any modern filming devices, helicopters, or zoom lenses.

Willis and Coppola chose to use a 'tableau format' of filming to make it seem if it was viewed like a painting. He made use of shadows and low light levels throughout the film to showcase psychological developments. Willis and Coppola agreed to interplay light and dark scenes throughout the film. Willis underexposed the film in order to create a 'yellow tone.' The scenes in Sicily were shot to display the countryside and 'display a more romantic land,' giving these scenes a 'softer, more romantic' feel than the New York scenes.

1941 featured in The GodfatherOne of the film's most shocking moments involved an actual, severed, horse's head. Coppola received some criticism for the scene, although the head was obtained from a dog-food company from a horse that was to be killed regardless of the film.

On June 22, the scene where Sonny is killed was shot on a runway at in Mineola, where three tollbooths were built, along with guard rails, and billboards to set the scene. Sonny's car was a 1941 Lincoln Continental with holes drilled in it to resemble bullet holes. The scene took three days to film and cost over $100,000.Coppola's request to film on location was observed; approximately 90 percent was shot in New York City and its surrounding suburbs, using over 120 distinct locations. Several scenes were filmed at the Filmways Studio in. The remaining portions were filmed in California, or on-site in Sicily, except for the scenes set in because there were insufficient funds to travel there. And were the Sicilian towns featured in the film.

The opening wedding scene was shot in a neighborhood using almost 750 locals as extras. The house used as the Corleone household and the wedding location was at 110 Longfellow Avenue in the neighborhood of Staten Island.

The wall around the Corleone compound was made from. Scenes set in and around the Corleone olive oil business were filmed on.After filming had ended on August 7, post-production efforts were focused on trimming the film to a manageable length. In addition, producers and director were still including and removing different scenes from the end product, along with trimming certain sequences. In September, the first rough cut of the film was viewed.

Many of the scenes removed from the film were centered around Sonny, which did not advance the plot. By November, Coppola and Ruddy finished the semi-final cut. Debates over personnel involved with the final editing remained even 25 years after the release of the film. The film was shown to Paramount staff and exhibitors in late December 1971 and January 1972.

Main article:The game is based upon this film and tells the story of an original character, Aldo Trapani, whose rise through the ranks of the Corleone family intersects with the plot of the film on numerous occasions. Duvall, Caan, and Brando supplied voiceovers and their likenesses, but Pacino did not. Francis Ford Coppola openly voiced his disapproval of the game.

Cultural influence Although many preceded The Godfather, Coppola's heavy infusion of Italian culture and stereotypes, and his portrayal of mobsters as characters of considerable psychological depth and complexity was unprecedented. Coppola took it further with The Godfather Part II, and the success of those two films, critically, artistically and financially, opened the doors for numerous other depictions of Italian Americans as mobsters, including films such as 's and TV series such as 's.

A comprehensive study of Italian American culture on film, conducted from 1996 to 2001 by the Italic Institute of America, showed that close to 300 movies featuring Italian Americans as mobsters (mostly fictitious) have been produced since The Godfather, an average of nine per year.The Godfather epic, encompassing the original trilogy and the additional footage Coppola incorporated later, is by now thoroughly integrated into American life and, together with a succession of mob-theme imitators, has led to a highly stereotyped concept of Italian American culture. The first film had the largest impact and, unlike any film before it, its depiction of Italians who immigrated to the United States in the early decades of the 20th century is perhaps attributable to the Italian American director, presenting his own understanding of their experience. The films explain through their action the integration of fictional Italian American criminals into American society.

Though the story is set in the period of mass immigration to the U.S., it is rooted in the specific circumstances of the Corleones, a family that lives outside of the law. Although some critics have refashioned the Corleone story into one of universality of immigration, other critics have posited that it leads the viewer to identify organized crime with Italian American culture. Released in a period of intense national cynicism and self-criticism, the American film struck a chord about the dual identities inherent in a nation of immigrants. The Godfather increased Hollywood's negative portrayals of immigrant Italians in the aftermath of the film and was a recruiting tool for organized crime.The concept of a mafia 'Godfather' was an invention of Mario Puzo and the film's effect was to add the fictional nomenclature to the language. Similarly, Don Vito Corleone's unforgettable 'I'm gonna make him an offer he can't refuse'—voted the second-most memorable line in cinema history in by the — was adopted by actual gangsters. In the French novel, wrote of telling Eugene: 'In that case I will make you an offer that no one would decline.'

Real-life gangsters responded enthusiastically to the film, with many of them feeling it was a portrayal of how they were supposed to act., the former in the, stated: 'I left the movie stunned. I mean I floated out of the theater. Maybe it was fiction, but for me, then, that was our life. It was incredible. I remember talking to a multitude of guys, who felt exactly the same way.' According to after seeing the film, members Paulie Intiso and Nicky Giso altered their speech patterns closer to that of Vito Corleone's. Intiso would frequently swear and use poor grammar; but after the movie came out, he started to articulate and philosophize more.

Television , appearing in a sketch as Vito Corleone in a therapy session expressing his inner feelings towards the Tattaglia Family, says, 'Also, they shot my son Santino 56 times'.In the television show, 's topless bar is named Bada Bing, echoing the line in The Godfather when Sonny Corleone says, 'You've gotta get up close like this and bada-bing! You blow their brains all over your nice Ivy League suit.' The film has been several times on the. In the episode ', Lisa wakes up to find a horse in her bed and starts screaming. The music and the scene itself resemble the famous 'horse's head' scene in The Godfather. In the episode ', the scene in which Sonny Corleone is shot at the tollbooth is mimicked when is pelted with snowballs. The scene is again parodied in the episode ', which includes James Caan as himself in a guest voice role.

In the episode ', the film's final scene is mimicked with a door being closed on. See also.Notes. ^ Sources disagree on both the amount of the original budget and the final budget. The starting budget has been recorded as $1 million, $2 million, and $2.5 million, while the final budget has been named at $5 million, $6 million, and $6.5 million.

Sources disagree on the date where Paramount confirmed their intentions to make Mario Puzo's novel The Godfather into a feature-length film. Harlan Lebo's work states that the announcement came in January 1969, while Jenny Jones' book puts the date of the announcement three months after the novel's publication, in June 1969.References. May 31, 1996. Retrieved April 15, 2016.

^ Box office. 1991: Von Gunden, Kenneth (1991). Postmodern auteurs: Coppola, Lucas, De Palma, Spielberg, and Scorsese. Since The Godfather had earned over $85 million in U.S.-Canada rentals (the worldwide box-office gross was $285 million), a sequel, according to the usual formula, could be expected to earn approximately two-thirds of the original's box-office take (ultimately Godfather II had rentals of $30 million). 1997 re-release:. Retrieved November 20, 2012.

North America:$1,267,490. Total:. Archived from on July 10, 2013. Retrieved June 23, 2013.

Worldwide Gross: $245,066,411. Allan, John H.

Colonna Sonora Padrino Download

(April 17, 1972). Milwaukee Journal. (New York Times). P. 16, part 2.

^ Allan, John H. (April 16, 1972). The New York Times. Retrieved September 10, 2018.

Retrieved January 21, 2012. Gambino, Megan (January 31, 2012).

Retrieved September 10, 2018., p. 5–6. ^, p. 10. ^. March 15, 2012. From the original on July 17, 2014.

Retrieved July 15, 2014., p. 7. ^, p. 6. ^, p. 88.

^, p. 10–11. O'Brian, Jack (January 25, 1973). The Spartanburg Herald. Retrieved July 15, 2014.

Michael L. Geczi and Martin Merzer (April 10, 1978).

Petersburg Times. Retrieved July 15, 2014. ^ Italie, Hillel (December 24, 1990). The Daily Gazette. Associated Press.

Retrieved July 15, 2014., p. 14. ^, p. 92. ^, p. 11. ^ (March 2009). From the original on July 14, 2014. Retrieved July 15, 2014., p. 104.

^, p. 12. ^ Fristoe, Roger. Archived from on July 16, 2014. Retrieved July 16, 2014. ^ Bozzola, Lucia.

The New York Times. The New York Times Company. From the original on July 16, 2014. Retrieved July 16, 2014.

James, Clive (November 30, 2004). From the original on August 27, 2013. Retrieved July 16, 2014. January 7, 2005. From the original on September 3, 2010. Retrieved July 16, 2014. Webb, Royce (July 28, 2008).

Archived from on November 10, 2013. Retrieved July 16, 2014. ^ Horne, Philip (September 22, 2009). The Daily Telegraph.

From the original on September 24, 2009. Retrieved July 15, 2014. ^. March 15, 2012. From the original on July 17, 2014. Retrieved July 15, 2014., p. 89., p. 23. Hearn, Marcus (2005).

The Cinema of George Lucas. New York City: Harry N.

P. 46. ^ The Godfather DVD commentary featuring Francis Ford Coppola, 2001. ^, p. 18. David L.

Ulin (November 21, 2007). Retrieved July 15, 2014., p. 25., p. 11. ^. Lodi News-Sentinel.

United Press International. March 14, 1972. Retrieved July 15, 2014., p. 9. ^. From the original on July 4, 2014.

Retrieved July 16, 2014. ^, p. 19., p. 93., p. 92–93. ^, p. 20., p. 96., p. 100.

^, p. 11. ^, p. 252., p. 30. ^, p. 90., p. 26. The Week Staff (July 15, 1988). THE WEEK Publications, Inc. From the original on July 21, 2014.

Retrieved June 15, 2012., p. 162., p. 36. Gage, Nicholas (March 19, 1972). The New York Times. The New York Times Company. From the original on July 25, 2014. Retrieved June 15, 2012. ^ Parker, Jerry (June 27, 1971).

Toledo Blade. Retrieved July 15, 2014.

^ Parker, Jerry (May 30, 1971). The Victoria Advocate. Retrieved July 15, 2014., p. 2., p. 1.

^, p. 187. ^. April 2, 2012. From the original on March 30, 2013. Retrieved July 15, 2014., p. 83.

Mayer, Geoff (2012). Scarecrow Press. P. 176.

World Features Syndicate (May 13, 1991). Chicago Tribune. Tribune Company. From the original on July 15, 2014. Retrieved July 15, 2014. ^, p. 188., p. 2–3.

^, p. 52., p. 3–4., p. 4. ^, p. 5., p. 53. 'Brando's $3-Mil Year'. January 9, 1974. P. 1.

^, p. 53-55. ^, p. 173. ^, p. 50. ^, p. 147. March 15, 2012.

From the original on July 16, 2014. Retrieved July 15, 2014. ^ The Godfather DVD Collection documentary A Look Inside, 2001., p. 20-21., p. 61., p. 23.

^, p. 133. ^ Nate Rawlings (March 14, 2012). From the original on January 2, 2014.

Retrieved January 2, 2014. ^, p. 24. March 15, 2012. From the original on July 16, 2014.

Retrieved July 15, 2014., p. 59., p. 236. December 20, 2010. From the original on June 26, 2013. Retrieved July 15, 2014., p. 22., p. 60., p. 87-88., p. 128. ^, p. 93. ^, p. 184., p. 109., p. 185., p. 181.

(2006). From the original on July 20, 2014. Retrieved July 19, 2014. ^, p. 70., p. 59., p. 137., p. 102., p. 174., p. 176. ^, p. 50., p. 172.

^, p. 26. ^ 'Secrets of 'The Godfather' Filming Now Revealed'. Atlanta Daily World.

June 11, 1972. P. 10. ^ Jim and Shirley Rose Higgins (May 7, 1972). 'Movie Fan's Guide to Travel'. Chicago Tribune. P. F22., p. 24., p. 132. Independent Digital News and Media Limited.

April 26, 2003. From the original on May 11, 2015. Retrieved February 12, 2016. ^, p. 30. Ferretti, Fred (March 23, 1971). 'Corporate Rift in 'Godfather' Filming'. Chicago Tribune.

P. 28., p. 115., p. 57. ^, p. 192., p. 192, 194-196. ^, p. 197., p. 197-198., p. 198. ^, p. 107. ^, p. 222. ^, p. 191., p. 355. From the original on July 20, 2014.

Retrieved April 16, 2013. ^ Curd, Zach. All Media Network, LLC. From the original on July 20, 2014. Retrieved July 20, 2014. All Media Network, LLC.

Retrieved July 20, 2014. ^. Christian Clemmensen (Filmtracks Publications). October 3, 2009.

From the original on July 20, 2014. Retrieved July 20, 2014., p. 60. ^. American Film Institute. Archived from on July 17, 2014. Retrieved July 15, 2014., p. 200.

^, pp. 518, 552. ^. From the original on October 29, 2013. Retrieved July 16, 2014., p. 204. ^ Frederick, Robert B.

(January 3, 1973). ' 'Godfather': & Rest of Pack'. P. 7. Wedman, Len (January 24, 1973).

'Birth of a Nation classic proves it's still fantastic'. P. 'Godfather 1 all-time earner'. January 9, 1975. P. Dirks, Tim.

Retrieved May 31, 2012. Retrieved November 20, 2012. Jacobs, Diane (1980). The Godfather catapulted Coppola to overnight celebrity, earning three Academy Awards and a then record-breaking $142 million in worldwide sales. Retrieved November 20, 2012. History.com Staff (2009).

A&E Television Networks, LLC. From the original on July 17, 2014. Retrieved July 16, 2014. Retrieved July 19, 2019. Retrieved July 19, 2019. ^ (January 1, 1972). Roger Ebert.com.

Ebert Digital LLC. From the original on July 19, 2014. Retrieved January 1, 2014.

(October 15, 1999). Chicago Tribune. Tribune Company. From the original on July 1, 2014. Retrieved August 23, 2015. ^ (March 16, 1972).

The Village Voice. Village Voice, LLC. Archived from on October 24, 2013. Retrieved January 1, 2014. (March 21, 1997). The Washington Post Company. From the original on July 20, 2014.

Retrieved January 1, 2014. (March 16, 1972). The New York Times. The New York Times Company. From the original on July 20, 2014. Retrieved January 1, 2014.

(March 16, 1972). Retrieved November 4, 2018. Wrigley, Nick (February 14, 2014). British Film Institute. From the original on July 16, 2014.

Retrieved June 1, 2014. (April 1, 1972). Retrieved March 20, 2017. ^, p. 68., p. 119., p. 180. (March 26, 2012). 'Forty Years On: Why 'The Godfather' is a classic, destined to endure'. The Weekly Standard., p.

39. (July 18, 2010). Hollywood Foreign Press Association. Archived from on July 17, 2014. Retrieved July 15, 2014. ^. The Telegraph.

Associated Press. January 30, 1973. Retrieved July 15, 2014. Associated Press.

February 1, 1973. Retrieved July 15, 2014. Hollywood Foreign Press Association. Archived from on July 17, 2014. Retrieved July 17, 2014.

^. Sarasota Herald-Tribune. Associated Press.

March 5, 1973. Retrieved July 15, 2014. ^ Edward W. (March 9, 1973).

The Spokesman-Review. Retrieved July 15, 2014.

^ Russell, Bruce (February 13, 1973). Toledo Blade. Retrieved September 2, 2014. ^. The Michigan Daily.

United Press International. February 14, 1971. Retrieved July 15, 2014.

Godfather Theme Violin Mp3 Download

^. Academy of Motion Picture Arts and Sciences. Archived from on July 17, 2014. Retrieved July 16, 2014.

Daytona Beach Morning Star. Associated Press. March 2, 1973. Retrieved July 15, 2014. The Montreal Gazette. Associated Press.

March 7, 1973. Retrieved July 16, 2014. ^ Tapley, Kris (January 21, 2008). Retrieved March 4, 2010. Paramount Pictures.

Retrieved June 16, 2013. The Val d'Or Star. October 26, 1977. Retrieved July 15, 2014.

The Morning Record. Associated Press. March 26, 1973. Retrieved July 16, 2014. ^.

March 29, 1973. Retrieved July 15, 2014.

^. The Montreal Gazette. March 28, 1973. Retrieved July 15, 2014. November 26, 2011.

Retrieved December 6, 2011. Grobel; p. British Academy of Film and Television Arts. Archived from on July 17, 2014.

Retrieved July 15, 2014. The Writers Guilds Awards.

Writers Guild of America. Archived from on March 7, 2016. Retrieved March 13, 2018. National Film Preservation Board. Library of Congress. From the original on April 7, 2014. Retrieved March 12, 2012.

American Movie Classics Company LLC. From the original on July 18, 2014. Retrieved August 17, 2010.

(1999). Time-Life Books. American Movie Classics Company LLC. From the original on March 31, 2014.

Retrieved August 17, 2010. The Harris County Public Library. May 12, 2009. Archived from on January 11, 2012. Retrieved August 17, 2010.

Retrieved April 6, 2014. Retrieved April 6, 2014.

Download Colonna Sonora Padrino De

American Movie Classics Company LLC. From the original on March 31, 2014. Retrieved August 17, 2010. March 14, 2012. From the original on July 17, 2014.

Retrieved January 2, 2014. TIME Staff (October 3, 2011). From the original on July 14, 2014.

Retrieved January 2, 2014. Archived from on March 28, 2014. Retrieved July 18, 2014. From the original on July 8, 2014.

Retrieved August 17, 2010. Editors Guild Magazine via. Volume 1, Issue 3. Published May 2012.

Retrieved June 17, 2017. (PDF). Retrieved November 14, 2014. (PDF).

Retrieved November 14, 2014. (PDF). Retrieved November 14, 2014. (PDF). Retrieved November 14, 2014. (PDF).

Retrieved November 14, 2014. Retrieved November 14, 2014.

^, p. 245. ^ 'Hit Movies on U.S. TV Since 1961'. January 24, 1990. P. 160. ^, p. 247., p. XIV. ^ Duncan, Alice.

From the original on August 23, 2015. Retrieved July 16, 2014. ^ Duncan, Alice (October 9, 2001). From the original on August 23, 2015. Retrieved July 16, 2014. ^ Snider, Mike (September 23, 2008).

Gannett Company. From the original on July 21, 2014. Retrieved July 15, 2014. ^ Kaplan, Fred (September 30, 2008). From the original on July 21, 2014. Retrieved July 15, 2014.

^ Kehr, Dave (September 22, 2008). The New York Times. New York Times Company. From the original on July 21, 2014. Retrieved July 15, 2014. ^ Phipps, Keith (October 7, 2008).

From the original on July 21, 2014. Retrieved July 15, 2014. ^ Noller, Matt (September 26, 2008).

Slant Magazine. From the original on July 21, 2014. Retrieved July 15, 2014. Slagle, Matt (March 31, 2006). The Victoria Advocate.

Retrieved July 15, 2014. Godinez, Victor (March 31, 2006). The Victoria Advocate. Retrieved July 15, 2014.

^ Slagle, Matt (May 20, 2005). Gadsden Times. Retrieved July 15, 2014. Retrieved August 22, 2005. March 4, 2005. Archived from on December 20, 2007. Retrieved January 16, 2013.

Archived from on October 7, 2008. Gambino, Megan (January 31, 2012).

From the original on July 2, 2014. Retrieved July 15, 2014. Sifakis, Carl (1987). The Mafia Encyclopedia. New York City: Facts on File., p. 114.

^ Smith, John L. (July 7, 2004). Retrieved December 7, 2010. Collis, Clark (March 2, 2002). The Daily Telegraph. From the original on April 16, 2012.

Retrieved July 15, 2014. Newman, Maria (August 21, 2007). Retrieved November 4, 2018. Reardon, Jim (2004).

The Simpsons Season 4 DVD commentary for the episode 'Mr. 20th Century Fox. Loughrey, Clarisse (February 11, 2016). Retrieved January 14, 2017.

Iverson, Dan (September 7, 2006). Retrieved January 14, 2017.Bibliography. Block, Alex Ben; Wilson, Lucy Autrey (2010). New York, New York:. Cowie, Peter (1997). The Godfather Book. London, England: Faber and Faber Limited.

De Stefano, George (2006). New York: Faber and Faber.

Retrieved January 26, 2013. Gelmis, Joseph (August 23, 1971). Retrieved July 16, 2014. Jones, Jenny M. New York, New York: Black Dog & Leventhal. Retrieved July 15, 2014. Lebo, Harlan (1997).

London, England: Simon & Schuster. Retrieved September 26, 2016.

Lebo, Harlan (2005). London, England: Simon & Schuster. Retrieved July 15, 2014.

Phillips, Gene D. Lexington, Kentucky: University Press of Kentucky. Retrieved July 15, 2014. (2012). New York, New York: Thomas Dunne Books. Retrieved July 15, 2014.

Stanley, Timothy (2014). New York, New York: Thomas Dunne Books. Retrieved July 15, 2014.

Williams, Joe (2012). Minneapolis, Minnesota: MBI Pub. And Voyageur Press. Retrieved July 15, 2014. Welsh, James M.; Phillips, Gene D.; Hill, Rodney F. Lanham, Maryland: Scarecrow Press.

Retrieved July 15, 2014. Von Gunden, Kenneth (1991). Postmodern Auteurs: Coppola, Lucas, De Palma, Spielberg and Scorsese.External links Wikiquote has quotations related to:Wikimedia Commons has media related to. on. at the. at.

at. at.